Megan’s journey as a photographer is compelling, blending her commercial education with a deeply conceptual approach to her personal work. Her ability to merge industry knowledge with artistic sensibilities results in imagery that is both emotive and perceptive, characterised by her skilful use of colour and range of techniques.

Whilst Megan’s work is predominantly artistic, she possesses a versatile skill set. Her adaptability and ability to connect with her subjects ensure that she can deliver exceptional results across different genres and projects- proving well within her environmental work and editorial commissions.

Her dedication to exploring the ethics of photographing women authentically speaks to her commitment to creating meaningful and respectful representations. By prioritising the relationships she forms with her subjects, Megan ensures that her photography captures the essence of her sitters in an equal and empowering manner.

The themes of nostalgia and identity that permeate Megan's work offer a poignant reflection on the shared experiences of women. Through "The Girls We Were" project, Megan invites collaboration and diversity of perspective, incorporating anonymous confessions and poetry to enrich her photographic narrative. Her decision to handcraft the entire project, from portraiture to bookbinding, demonstrates meticulous attention to detail and a desire to create an immersive experience for the viewer.